The British abstract painting of the St. Ives school. The problem of Russian influences
Keywords:
Great Britain, St. Ives, abstract painting, concrete, Russian avant-gardeAbstract
The article is devoted to the problem of the infl uence of Russian avant-garde on the British abstract art of the St. Ives School. The methods of artistic embodiment of the spiritual ideas are considered in the work of British abstractionists: Peter Lanyon, John Wells, Wilhelmina Barns-Graham, Terry Frost, Roger Hilton and Patrick Heron.
References
Bird M. The St. Ives Artist: A Biography of Place and Time. Aldershot, 2008. P. 11.
Габо Н., Певзнер Н. Реалистический манифест. http://azbuka.gif.ru/critics/manifest/ 21. 11. 2011.
Hammer M., Lodder Ch. Naum Gabo and the Constructive Idea of Sculpture // Naum Gabo: The Constructive Idea: Sculpture, Drawings, Paintings, Monoprints. A Catalogue of a South bank centre Exhibition held at the Museum of Modern Art. Oxford, 13 Dec. 1987 – 7 Febr. 1988. London, 1988. P. 43.
Lodder Ch. Gabo in Russia and Germany 1890–1922 // Ibid. P. 47–48.
Gooding M. Wilhelmina Barns-Graham: A Study in Th ree Movements. St. Ives, 2005. P. 14.
Ibid. P. 13.
Stephens Ch. Terry Frost. London, 2000. P. 31.
Warm Frost: Inspirations. Penzance, 2003. P. 7.
Stephens Ch. Rodger Hilton. London, 2006. P. 6.
Трубецкой Е. Умозрение в красках. Вопрос о смысле жизни в древнерусской религиозной живописи // Русская иконопись. М., 2006. С. 6.