Evolution of the Image of St. Michael in the Art of Sevillian Masters of the Middle and the Second Half of the 17th Century

Authors

Keywords:

Spanish sculpture, Baroque, the 17th century

Abstract

The article is dedicated to evolution of the image of St. Michael in the art of Sevillian sculptors of the middle and the second half of the 17th c. and its differences in comparison with works of the first half of the century. It touches on works of main masters of this period, such as Juan Martínez Montañés, Pedro Roldan and Luisa Roldan.

Author Biography

  • Maria A. Prikladova, St. Petersburg State University, St. Petersburg, Russia
    Prikladova, Maria A. St. Petersburg State University, Russia, assistant professor

References

Bernales Ballesteros J. Pedro Roldan. Maestro de escultura (1624‒1699). Sevilla, Diputacion provincial, 1973. 149 p.

Gomez-Moreno M.E. Escultura del siglo XVII // Ars Hispaniae. Historia Universal del arte hispanico. Madrid, Plus-Ultra, 1963. 364 p.

Hall van den Elsen C. Luisa Roldan // Dictionary of Women Artists / ed. by D. Gaze. London; Chicago, Fitzroy Dearborn Publishers, 1997. Vol. 2. 727 p.

Pacheco F. Arte de la pintura. Sevilla, Simon Faxardo, 1649. 643 p.

The Council of Trent. The canons and decrees of the sacred and oecumenical Council of Trent / ed. and trans. J. Waterworth. London, Dolman, 1848. 292 p.

Torrejon Diaz A., Romero Torres J. L. Roldana. Sevilla, Junta de Andalucía, Consejería de Cultura, 2007. 235 p.

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Published

2013-10-11

Issue

Vol. 3 (2013): Actual Problems of Theory and History of Art

Section

Western Art of the 15th-20th Centuries

How to Cite

Prikladova, M. A. (2013). Evolution of the Image of St. Michael in the Art of Sevillian Masters of the Middle and the Second Half of the 17th Century. Actual Problems of Theory and History of Art, 3, 432–436. https://publ.actual-art.org/aptha/article/view/10153