The basic tendencies in late 19th – early 20th c. church monumental painting exemplified in some little studied programs of church decoration

Authors

  • Ekaterina O. Miroshina Surikov Moscow State Academic Art Institute, Moscow, Russia Author

Keywords:

monumental painting, V.M. Vasnetsov, M.V. Nesterov, Art Nouveau, neo-classicism, neo-Russian style, architecture, church mural painting

Abstract

The article analyzes the key trends and stylistic directions, iconographic features and picturesque-plastic solutions in church murals basing on some monuments of the late 19th – early 20th c.
 

Author Biography

  • Ekaterina O. Miroshina, Surikov Moscow State Academic Art Institute, Moscow, Russia
    Miroshina, Ekaterina O. V. Surikov Moscow State Academic Art Institute, Ph.D. student; restorer

References

Николо-Перервинский монастырь. Очерки истории. М., 2005. С. 361.

Кишкинова Е.М. Византийское возрождение в архитектуре России. Середина XIX – начало XX века. СПб., 2006. С. 200–202; Монастырь святого апостола Симона Кананита на Новом Афоне. Храмовая роспись. Б. м., 2010. С. 5.

Успенский Б.А. Солярно-лунарная символика в облике русского храма // Богословие и духовность. Материалы Международной церковной научной конференции (Москва, 11–18 мая 1987 г.). См.: http://www.gumer. info/bibliotek_Buks/Culture/usp/sollun.php

Бобров Ю.Г. История реставрации древнерусской живописи. Л., 1987. С. 150.

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Published

2012-10-11

Issue

Vol. 2 (2012): Actual Problems of Theory and History of Art

Section

Russian Art of the 19th and Early 20th Centuries

How to Cite

Miroshina, E. O. (2012). The basic tendencies in late 19th – early 20th c. church monumental painting exemplified in some little studied programs of church decoration. Actual Problems of Theory and History of Art, 2, 429–434. https://publ.actual-art.org/aptha/article/view/10112