The New Museology and Curatorial Practice

Authors

  • Yuko Hasegawa Музей современного искусства Токио, Токио, Япония; Токийский университет искусств, Токио, Япония , Museum of Contemporary Art Tokyo, Tokyo, Japan; Taito City, Japan Author

DOI:

https://doi.org/10.18688/aa200-5-61

Keywords:

new museology, interdisciplinary exhibition

Abstract

The exhibition might be flat if it only exhibits the museum’s own collection. It would be ableto make the exhibition narrative and give visitors the whole new historical view by bringing collection fromoutside its own museum. Collections do not always mean the true collection of fine arts. It also includes worksin various filled, architecture, design, and so on. Exhibiting all these various works from different fields in onespace allows to create a completely new space and give visitors the whole new experience.

Author Biography

  • Yuko Hasegawa, Музей современного искусства Токио, Токио, Япония; Токийский университет искусств, Токио, Япония, Museum of Contemporary Art Tokyo, Tokyo, Japan; Taito City, Japan
    Yuko Hasegawa — Ph. D., director. Museum of Contemporary Art Tokyo, 4–1–1 Miyoshi, Kotoku, Tokyo 135–0022, Japan; professor. 12–8 Uenokoen, Taito City, Tokyo 110–8714, Japan.

Downloads

Published

2020-10-11

Issue

Vol. 10 (2020): Actual Problems of Theory and History of Art

Section

Challenges in Displaying Modern and Contemporary Art Collections

How to Cite

Hasegawa, Y. (2020). The New Museology and Curatorial Practice. Actual Problems of Theory and History of Art, 10, 657–661. https://doi.org/10.18688/aa200-5-61