The “English” and the “French” in the language of political satire of William Hogarth

Authors

Keywords:

William Hogarth, English art of the 18th century, French art of the 18th century, political satire, Age of Enlightenment, national mentality, French fashion, artistic language, Seven Years’ War, comic effect

Abstract

Opposition between “English” and “French” repeatedly appears in William Hogarth’s satirical prints. This is especially evident in his political satire – motives of French art directed against the French themselves. Thus, a kind of contradiction can be revealed: on the one hand, Hogarth uses the artistic language of the French culture; on the other hand, the everlasting antagonism and national mentality force him to demonstrate superiority and to satirize the opponents.
 

Author Biography

  • Darya A. Grigorieva, Lomonosov Moscow State University, Moscow, Russia
    Grigorieva, Darya A. Lomonosov Moscow State University, Ph.D. student

References

Rouguet A. Lettres de Monsieur xx à un de ses amis à Paris, pour lui expliquer les estampes de Monsieur Hogarth. London, 1746; Id. The Present State of the Arts in England. London, 1755.

Simon R. Hogarth, France and British Art. London, 2007. P. 11.

Trusler J. Hogarth Moralized. London, 1768. P. 117.

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Published

2012-10-11

Issue

Section

Medieval and Early Modern Western Art

How to Cite

Grigorieva, D. A. (2012). The “English” and the “French” in the language of political satire of William Hogarth. Actual Problems of Theory and History of Art, 2, 273–277. https://publ.actual-art.org/aptha/article/view/10089