SEITS, Irina S. Invisible Avant-Garde and Absent Revolution: Walter Benjamin’s New Optics for Moscow Urban Space of the 1920s. Actual Problems of Theory and History of Art, [S. l.], v. 8, p. 575–582, 2018. DOI: 10.18688/aa188-6-56. Disponível em: https://publ.actual-art.org/aptha/article/view/10671. Acesso em: 13 mar. 2025.